This is Nashville, though the songs aren’t always upbeat and triumphant finales don’t befall every would-be musician. While health care and publishing are two of the biggest local industries, the lifeblood of the city is music—whether it’s belted out by boot-wearing country stars or touring indie bands. Your trip is not complete until you experience the wide variety of music in the city.
Though millions of visitors each year seek out Music City’s harmonious core, other nicknames suit the Tennessee capital just fine. Home to more than 700 churches, Nashville is sometimes referred to as the “Buckle of the Bible Belt.” The United Methodist Publishing House and the Southern Baptist Convention are headquartered here, along with one of the largest publishers of Bibles, HarperCollins Christian Publishing.
As the “Athens of the South,” the city's architecture often reflects a strong preference for Greek symmetry. Case in point: a full-size replica of the Parthenon. An impressive classical clone, the columned building is the centerpiece of lush Centennial Park, where Canada geese and their fluffy brood ply the waters of Lake Watauga. Nashville boasts several higher-education institutions, including Vanderbilt University, founded in 1873, and Fisk University, well-known for its renowned African American ensemble, first organized in 1871.
Still, most everyone comes to town to experience the thrill of at least one live performance: an impromptu session in a rustic honky-tonk or a well-oiled revue in a nicely equipped theater. The city’s most recognizable tabernacle remains the Ryman Auditorium, or, more appropriately, the “Mother Church of Country Music,” where fans seated in restored 19th-century pews now worship the likes of Alison Krauss and Vince Gill.
Revelers roam the entertainment district surrounding the Ryman nightly, eyeballing bands hard at work inside the string of honky-tonks lining Broadway. Along this historic thoroughfare peppered with Western shops and neon signs, street performers pose for photos with tourists. Well-traveled retirees barhop from Tootsie’s Orchid Lounge to Legends Corner to Robert’s Western World—memorabilia-crammed establishments where great country artists continue to stir things up.
A concrete block building on Roy Acuff Place serves as a shrine to Nashville’s storied musical past, smack-dab in the middle of the city's $5 billion entertainment industry. State-of-the-art for its time, RCA Studio B was built in 1957 in a burgeoning district quickly emerging as the place to record—Music Row. More than 200 Elvis Presley songs were recorded here, and in recent years the studio has been restored to its former 1970s glory.
Tours of the “Home of 1,000 Hits” are available through the Country Music Hall of Fame and Museum, where music plays a part in, well, everything. Visitors drool over the 1928 Weymann strummed by Jimmie Rodgers, “The Father of Country Music.” In the hall of fame, bronze likenesses of bygone Grand Ole Opry stars enthrall groups who, just the evening prior, were wowed by contemporary acts at the stage show that first aired on Nov. 28, 1925.
Inspired by Nashville’s long broadcasting history, a triangular-braced tower attached to the Bridgestone Arena rises more than 200 feet; its elliptical 100-foot base recalls an angled spotlight lighting a stage. The arena's music box-style roof, left ajar, allows the sounds of shows to resonate through downtown.